Short Story Writing: Article 11: Dialogue

Dialogue

Dialogue, perhaps more than any other aspect of writing, is something one has to develop a feel for, but like other aspects, observing a few simple principles can help us on the way.

Dialogue is definitely not a representation of the way people really speak. Everyday speech is full of repetition and hesitation and mundane comments which are extremely tedious when written down.

Short Story Writing: Article 11: Dialogue

"Good morning Janet, how are you?"

"Oh I'm fine thanks, how are you?"

"Not too bad thanks. Lovely weather today isn't it?" "Yes, gorgeous. Thank goodness that rain has stopped."

"Yes, I thought it would go on for ever. That's a nice dress you're wearing."

"Oh this old thing. I've had it for ages." "Did you watch any television last night?"

"Yes, I saw that film, it had that actor in it, what's his name? Oh goodness what is his name? It's on the tip of my tongue hold on a sec. . . . "

"Johnny Depp?"

"No, um, hold on a sec, it's coming . . . "

The yawning restless reader will not hold on a sec - he will abandon the story.

Dialogue should always be used to convey something important to the plot, and should be a distillation, or edited version, of real speech. It conveys the rhythm and syntax of real speech at its best, with all the roughness and redundancy pared away.

Dialogue needs to convey information to the reader, but in a way which sounds natural. For example if Janet says to Mary:

"Have you heard that John Jones is coming to work for us?"

This line conveys to us that there is a character around called John Jones with whom Janet is acquainted, and it does so in a way which sounds perfectly natural.

Don't overload dialogue with information. If you do it becomes conspicuous and sounds unnatural. For example:

"Have you heard that John Jones, the guy I met on holiday in Majorca last year but who already had a girlfriend and lived in Manchester is coming to work for us?"

Don't be reluctant, as some people seem to be, to put in 'he said', 'she said', 'said Janet', 'said John' after lines of dialogue, but on the other hand, don't put them in too often. We don't need them after every line, but we do need enough to keep us in touch with who is speaking. In a scene with only two characters they can largely be dispensed with, but with three or more characters present the reader will get lost without them. They are much less conspicuous when read than they seem while writing them.

The main objective in writing modern short story dialogue is to keep it brief and to the point. Every word must count, and it must sound natural. Listen to it as you write, and write it as the character would say it.

Copyright: Ian Mackean

http://www.literature-study-online.com/creativewriting/

Short Story Writing: Article 11: Dialogue
Check For The New Release in Health, Fitness & Dieting Category of Books NOW!
Check What Are The Top Cooking Books in Last 90 Days Best Cheap Deal!
Check For Cookbooks Best Sellers 2012 Discount OFFER!
Check for Top 100 Most Popular Books People Are Buying Daily Price Update!
Check For 100 New Release & BestSeller Books For Your Collection

Ian Mackean runs the sites http://www.literature-study-online.com, where his site on Short Story Writing can be found, and http://www.booksmadeintomovies.com. He was a short story and novel writing tutor for many years, and had many of his own stories published in literary magazines. He is the editor of The Essentials of Literature in English post-1914, ISBN 0340882689, which was published by Hodder Arnold in 2005. When not writing about literature or short story writing he is a keen amateur photographer, and has made a site of his photography at http://www.photo-zen.com

cell phone watches Best Price Dual Motor Deluxe Power Unit For Best Price Golf Cart Ultimate Light Kit Upgrade Buy Acdelco D1483D Ignition Lock Cylinder For 118

Short Story Writing: Article 1 - Introduction

This is the first in a series of articles I shall be publishing on the subject of short story writing. I wrote the articles during many years' work as a creative writing tutor. I believe they will offer useful practical advice on technical aspect of the craft of fiction writing, and on some of the psychological aspects of writing, such as finding inspiration and overcoming writer's block. All the topics I mention are covered in greater depth on my site Short Story Writing. See the link at the foot of the page.

I began teaching, just as I began fiction writing, with a healthy scepticism about the value of guidelines in a field which is essentially creative, but after teaching hundreds of students and assessing hundreds of stories it became apparent that although every piece of work I saw, was unique, certain types of problem were appearing again and again. I began to write lessons on these subjects, and those lessons were the basis for the articles I shall publish.

I do not pretend that I can to offer an approach to story writing which will suit everyone, but my guidelines will help you to appreciate the technical issues involved in fiction writing, and to decide on the approach you want to adopt in your own work. Familiarity with these issues will also help you to analyse techniques used in any published short stories you read.

Short Story Writing: Article 1 - Introduction

Even if you find that you do not agree with some of the advice I have to offer, the articles will show you aspects of fiction writing which need to be borne in mind, and I believe they will show you the best way to learn to write fiction.

Writing for money?

Many other sources of advice on fiction writing assume that the only reason the for writing short stories is to make money, and advise would-be writers to tailor their work to suit a market before even setting pen to paper. This attitude is alien to my own approach to creative writing, which for me is primarily an art form and means of self-expression, and was alien to the approach of most of the students with whom I worked.

In fact I found that the hope of financial reward was a motivating factor for only a small minority of students. I would say the main motivation was the wish to master an art form which appealed to them, coupled with a wish to express their own perceptions and visions of life, whether based on real experience or imagination.

But everyone who attempts writing wants to bring their work up to publishable standard, and the principles of good short story writing are the same whether the motive is artistic or financial, and the guidelines I offer are relevant to all types of story.

Novel writing

The topics I shall discuss here are as relevant to novel writing as they are to short story writing. Some of the principles, such as the recommendation to stay with a single character's point of view, are not adhered to so frequently in novels as they are in short stories, but nevertheless you need to consider the question of point of view when planning a novel and my article on Point of view will show you the options available to you.

Some novels do stay rigorously with a single point of view, perhaps one of the most famous being Catcher in the Rye by J D Salinger, and my view is that novels are more compelling when presented in this way, but the majority of novels are presented from the omniscient narrator point of view.

Among my students some had stories and novels published or broadcast, and some gained recognition in writing competitions. It was always rewarding to hear about this kind of success, but the main source of satisfaction for me as a tutor was the conviction that every student I taught, whether beginners or experienced, finished the course a better writer than they were when they started. I hope this series of articles, which emerged directly from my practical work with students, will prove useful to anyone who wants to write short stories.

More articles to follow.

Ian Mackean

Short Story Writing: Article 1 - Introduction
Check For The New Release in Health, Fitness & Dieting Category of Books NOW!
Check What Are The Top Cooking Books in Last 90 Days Best Cheap Deal!
Check For Cookbooks Best Sellers 2012 Discount OFFER!
Check for Top 100 Most Popular Books People Are Buying Daily Price Update!
Check For 100 New Release & BestSeller Books For Your Collection

Ian Mackean runs the sites http://www.literature-study-online.com, where his site on Short Story Writing can be found, and http://www.booksmadeintomovies.com. He was a short story and novel writing tutor for many years, and had many of his own stories published in literary magazines. He is the editor of The Essentials of Literature in English post-1914, ISBN 0340882689, which was published by Hodder Arnold in 2005. When not writing about literature or short story writing he is a keen amateur photographer, and has made a site of his photography at http://www.photo-zen.com

watch mobile phone Buy Bern Berkeley Winter Snowboarding Helmet